Last November, when I decided to create a new healing ritual, blending rebozo wrapping (closing the bones style) and intuitive drum healing, I knew I was taking a gamble, but I never expected it to prove so popular.
I ran a fully booked taster workshop last month, and my first ever teaching workshop was also fully booked with a waiting list. Women are asking me when I’m doing it again AND also asking when I’m going to be offering an online version of this training.
Honestly I was really surprised by how popular this has been. I think I’m beginning to understand why this is resonating so deeply. And it has everything to do with permission, intuition, and breaking away from patriarchal ways of doing things.
How I got here
I decided to create this hybrid modality after teaching closing the bones for over 12 years, when I facilitated a workshop with this modality, without prior training, for 55 women at the convention of women drummers. There not only did I witness how powerful it was, but I lost count of how many women approached me afterwards saying it was life changing.
I had already been handing drums to my closing the bones students for over 3 years, but I hadn’t yet not making the drum as important as the wrapping. When I last taught the closing the bones workshop in its previous inception to a group of doulas last November (with the rocking, the massage and the wrapping), one thing became clear: I needed to simplify things and make more room for the drumming.
Since the launch of my book, The Beat of Your Own Drum, and through teaching women about drumming and about ritual, one thread has become very clear: I want to offer something easy, simple and accessible to everyone. Something that is away from rules and rigid ways of practising. Something that doesn’t require years of training, but rather makes space for each person to do it from intuition, and with what works for them.
In short: do it like you, not like me.
Intuition over technique
I think this was always in my nature, because during the first year I was teaching closing the bones 12 years ago, my then doula mentor, Suzanne, a very experienced healer, told me that what she liked best about my style of teaching was that I wasn’t imposing “my way” onto my students, but rather encouraging them to do it their own way.
What I witnessed with 55 women at the drum convention in November showed me I was right. All these women knew how to hold space and how to drum, intuitively. Very little teaching was needed and I could focus on space holding and responding in real time to what was happening, instead of being in my head to correct techniques.
Last week when I did a taster workshop with 12 women I was able to go into a completely altered state of consciousness whilst facilitating, because I didn’t need to focus on the technique. From that space I could feel where everybody was at, whether they were ready to move to the next wrap, I could drum and sing, and respond energetically instead of intellectually.
That felt very, very right to me.
The patriarchal construct of “doing it right”
Over the last 12 years of teaching closing the bones and rebozo techniques, one thing that I have noticed time and time again is that students often ask how long or how fast/tight they should rock, massage, or wrap the woman they’re working with. I have felt that this need to be given strict numbers is rooted in a patriarchal way of doing things, one that likes to measure everything, and treat everyone the same. I have always answered that it depends on the woman and that you need to ask her what she prefers, as well as feel into it.
Since starting to teach drumming workshops, I keep hearing women ask me what is the “right technique”, the right rhythm to drum. And time and time again I tell them the right rhythm is the one they want to play intuitively. IWhen I was interviewed by a scientific journal about drumming and birth, and the editor asked me what rhythm I play during births, and I explained that I didn’t use any set rhythms, rather I played my drum by responding intuitively to the mother and the energy in the room.
But with the drum, now I’m going even further: I tell women to actively avoid trying to play set drumming rhythms, because it may prevent them from learning to trust themselves (worrying that they are “doing it wrong”), and also prevent them from learning to drum intuitively.
This fear of doing things wrong, this idea that there is only one right way of doing things, is a patriarchal construct, and I want to help women break away from it. I tell them this is self expression, and the opposite of a performance.
The drumming I encourage women to explore isn’t a performance, itās self expression.
For me this is similar to dance. I’ve attended 5 Rhythms dance sessions for over 6 years. 5 Rhythms is about self expression, not “doing the right dance steps”. Itās completely different from taking ballroom dancing classes.
Believing that the only right drumming is playing set rhythms is similar to believing that 5 Rhythms isn’t dance, and that only dance with set steps, like say Tango, is ātrueā dance. They are just two different things. Both are valid and enjoyable in their own rights but they do not serve the same purpose. And you could do and enjoy both!
You don’t need permission
Another thing I have noticed (something I write about extensively in my book), is that the gatekeeping of artistic expression is something that only exists in modern western society. In human cultures around the world, drumming, dancing and singing are normal communal activities (the same way it’s normal for bees to make honey), and NOT DOING THEM isn’t normal. They arenāt reserved to a select few who are āgood enough” Only it’s kind of hard when we haven’t been raised that way.
This leads me to my next point: you don’t need permission.
You don’t need permission from anyone to drum, not from me, not from a teacher, not from anyone who can decide whether you are “good enough” to do it.
You also don’t need permission to give healing, touch, holding, nurture and care to other women.
The same applies to the idea that one needs permission to do healing rituals like closing the bones. While I understand that some people prefer to prioritise formal lineage structures, I believe the practices of woman care, including closing ceremonies, belong to the collective wisdom of women across cultures, not to gatekeepers. These are human practices that have emerged independently in multiple traditions precisely because they meet fundamental human needs. I don’t believe anyone requires permission to learn, adapt, and offer rituals or woman care, and I encourage all my students to do so.
What matters is not whose permission you have, but whether you practice with skill, ongoing learning, and genuine care for the women you serve.
The new era we’re stepping into
I believe that we are at the cusp of a new era when new modalities need to come forth, away from the gatekeeping of patriarchal structures, and that encouraging women to trust themselves and feel good enough (in a culture that has subtly, and not so subtly been teaching them that they aren’t), is fundamentally important.
And this is why I believe that my new workshop is proving so popular, because deep down we women know this.
We know that we don’t need more rules, more techniques to master, more hoops to jump through to prove we’re “good enough”. We need permission to trust ourselves. We need practices that meet us where we are. We need to remember what our ancestors knew: that caring for each other, drumming together, holding each other, these aren’t skills reserved for the initiated. They’re our birthright.
Want to learn this work? If what I’ve written here resonates with you and you would like to be able to offer this to your community, check this page which lists all my in person workshops
This Sunday is Imbolc, marking the beginning of Celtic spring – that threshold moment when winter hasn’t quite let go but spring is already pushing through.
Tomorrow I’m co-leading a community ceremony centred around the shift from Cailleach (the winter goddess, which I’ll embody) to Brigid, goddess of spring and midwife of new things. It’s a powerful symbol of transition, not a competition or a fight, but of of one energy bowing out gracefully so another can arrive.
The symbol that captures this time of year for me? Snowdrops.
These delicate, tiny flowers, push through dark, cold, frozen ground when nothing else dares. In French they’re called perce-neige (snow piercers). That’s exactly the energy of Imbolc: gentle but coming through anyway.
I’ll be bringing potted snowdrops to gift to people at the ceremony, I’ll bring some snowdrop essence too, and we’ll do a meditation with the drum connecting with the courageous “I’m emerging whether the conditions are perfect or not” snowdrop energy.
Here’s what I’ve learned from 6 years of co-creating Wheel of the Year ceremonies:
It’s changed how I experience the passing of time. Instead of fighting the seasons (I used to really hate winter) or barely noticing them pass, I’m actually in them. I know the wisdom of winter’s rest. I recognise spring’s emergence. I can feel the turn.
This isn’t about being more spiritual, it’s about being more present. More connected to the natural rhythms happening around and inside us. Learning from them, especially in a world that never seems to restā¦.
If bringing ceremony into your own life speaks to you:
There’s a whole chapter in The Beat of Your Own Drum on drumming and ceremony – including Wheel of the Year rituals, stories, and a blueprint for creating your own ceremonies, whether you are on your own or with others.
You can attend gatherings, or you can mark Imbolc (or any threshold) with a small altar, a small ritual, a drum, five minutes, and your own intention.
What’s trying to push through for you this Imbolc? What’s your snowdrop?
For over a decade, I’ve been teaching closing the bones, a traditional postpartum ritual involving rocking, massage, and wrapping with rebozos. I’ve worked with hundreds of women, trained over 1,000 students both in person and online across 30 countries, and continuously evolved my practice through experience, training, and intuition.
Now, I’m making a significant shift. I’m moving away from teaching the full traditional sequence and focusing on what I’ve discovered is most powerful: the wrapping combined with drumming. I’m calling this new approach Wrapped in Rhythm.
This isn’t abandoning the ritual, it’s distilling it down to its most accessible, intuitive, and transformative essence. Here’s how I got here.
The Evolution: From Complex to Simple
I started teaching closing the bones in 2014. Since I first started, the way I teach has evolved continuously, not only because I trained with a wide range of people, but because my own practice evolved over time, and is still evolving.
In the early days I taught a simple hip rocking, abdominal massage, and hip wrapping process. Over time I learnt more massage techniques, and adapted some of them to make them more effective, and learnt to wrap the entire body rather than just the hips.
By practising this ritual with hundreds of women, teaching it to over 1000 students, and continuing to train with a wide range of teachers of this ritual and bodyworkers, I developed my own unique way of offering it.
Fairly early on I added drumming, because, even before I understood the way drumming slows the brain down and modifies our state of consciousness, it felt right.
There were several defining moments in my experience that changed the way I practiced. For example supporting new mothers post cesarean, and finding out that I could adapt the technique, and omit the lower abdominal massage and still provide deep healing. Another one was first during the 2020 lockdowns, when I supported new mothers in pain (read more about this here), I realised that just rocking and wrapping could still be immensely helpful (this led me to offer my closing the bones online course), and more recently when I trained with Mexican Midwife Naoli Vinaver, whilst going through a mental health crisis, I discovered how incredibly healing the wrapping alone could be. I started sharing the wrapping more widely with my local community, and this led to the ritual being done often on peopleās birthdays.
I see a similarity between this evolution and how I originally practised when I first learnt Reiki in 2003: I thought it would only work if I had at least 30 min, had the person lying down on a couch and did all the hand positions in the right order. Then I read an article from a teacher who encouraged people to do just 5 min on someone sitting on a chair if thatās all that time allowed, and discovered that it could still be powerful.
Over the last 4 years, I have done a lot of impromptu closing the bones, sometimes having no rebozos with me, and borrowing peopleās scarves, sometimes doing workshops, sometimes doing just a 10 min taster by wrapping the hips in women circles. Last year I attended a local retreat. I only had one rebozo, and I hadnāt planned to demonstrate anything but I ended up doing some impromptu wrapping because people asked me. I was amazed when a man had a very powerful emotional release when I wrapped his shoulders, and I think he was as amazed as I was. These experiences have taught me that 5 min of wrapping can be powerful in their own right.
The Drumming Deepens
I started adding drumming to the ritual in 2014, because I did a group ceremony during which a woman was drumming in the background, and it just felt right. Over the last 13 years my drumming practice has grown exponentially, from drumming during closing the bones, to training to become a Reiki drum practitioner then teacher, to drumming during births (read about that here), to publishing a article on the effect of drumming during birth in the international journal of birth and parenting education. All of this led to the writing and publishing of my second book, The beat of your own drum, the history, science and contemporary use of drumming as a path for womenās wisdom, health and transformation. As I write this Iām in the process of starting some research with Prof Joyce Harper, Professor of Reproductive Science at the Institute for Women’s Health, University College London, which we will publish.
The Power of Simplicity
In 2022, when I was in the middle of a mental health crisis, I attended a 3 day long rebozo training with Mexican midwife Naoli Vinaver. She showed us how to the closing the bones wrapping with 7 rebozos, something I was already doing. However, she showed a slightly different version of what I had been teaching. In particular she wrapped the head and eyes like a cocoon (I had been avoiding wrapping the eyes until then, believing that it might make people feel claustrophobic), and she also instructed us to tighten each rebozo until it was tight enough for the woman, then hold it until she said it was ādoneā for each wrap. The combination of the tight wrap around the head, helping me to go deeply inwards, and being wrapped and waiting until it was ādoneā felt incredibly powerful, and healing.
A couple of weeks after this training, I shared this experience with 30 of my friends in a local community retreat, and I could clearly see how powerful it was for everyone.
After this I shared it as widely as possible, and I changed the way I taught closing the bones workshops to reflect my new knowledge.
Towards the end of 2025, I got the sense that change was afoot again and that I was probably teaching the last of the current version of closing the bones in its current inception.
You see Iām someone who loves doing new things, and I like what I offer to reflect my evolution. Iāve modified my teachings to reflect my evolution countless times, forever creating new teaching plans and handouts as the practice evolves.
In November 2025, I led a large workshop at the UK convention of women drummers. Being aware that closing the bones can lead to big emotional releases, I has asked to limit my group to 30 women. However, due to venue constraints, I was asked to take half of the attendees (50 women), whilst the other half did a drumming workshop in the other hall. I asked my friend Malwina, who is also experienced in teaching closing the bones, to join me in holding the space for the workshop. It was no mean feat, and I had to bring my entire teaching stock of 47 rebozos, and ask Malwina to bring 10 extras. In the end we had 55 women attending the workshop. I shouldnāt have worried because it was utterly magical. I led women in groups of three, to wrap each other with 3 rebozos (shoulders, hips and lower legs), and then to drum over the wrapped woman. Was it because most women there were already drummers, and skilled at holding space? The energy in the room was so beautiful and healing as they worked. Thanks for over 15 years of facilitation experience, I was able to respond in real time and make changes according to what was happening in the room. I also drummed, played the flute, and sang whilst women were being wrapped. It went better than I could have imagined. We even had time to show all the women how to wrap their own hips, and we finished singing and swaying in a big circle. Not only did it feel magical but I lost count of how many women came to see me after the workshop, and the following way to tell me it was life changing.
Why Wrapped in Rhythm Makes Sense
So Iāve decided to change the way I teach closing the bones, to make more room for the wrapping and the drumming. Instead of teaching a sequence of rocking, abdominal massage and wrapping, Iām going to teach the wrapping in more depth, with more options, and make more room for the drumming.
There are several reasons for this:
With my drumming work, Iām very keen to encourage women to drum intuitively rather than using set rhythms. This is because I use the drumming as a tool for self expression rather than a performance. When being asked about rhythms, I always answer that the best rhythm is an intuitive one that responds to the energy of the person drumming, or the person for whom you are drumming.
This is similar to what Naoli Vinaver said when people asked āHow fast, how long, at what amplitude should you rock or wrap the rebozoā and she always replied (something Iāve always done too): you just ask the woman!
Everything in my work currently is leaning towards more simplicity and accessibility, towards the fact that we already know what to do, we have just forgotten how to do it. In my drum circle, during one of the rounds of drumming, I ask if anybody is particularly in need of healing, then I suggest there people lie down, and that the rest of us drum over them. I purposefully do not give any instructions and people (including people who have never drummed before) always know what to do, and report that they found it incredibly powerful to find out that they can do this.
With the wrapping is it the same: contrary to the abdominal massage, which requires skill and correction, and a lot of practice to become confident, everyone can immediately do the wrapping, after just a few minutes of demonstration.
Combined together the wrapping and drumming are powerful. The wrapping provides a deep sense of nervous system safety, brings you back into the present and into your body. The drumming adds to this by putting you into a deeply relaxed state of consciousness (like a deep meditative state), and from this place, the body and mind can reset into a place of calm and grounding.
In the workshop I also want to cover both working on a mat on the floor and on massage tables so people can discover what works best for them.
With my desire to support more women to go from a place of intuitive knowing rather than structured learning,this new modality, which I called Wrapped in Rhythm, makes a lot of sense.
Moving Forward
The essence of healing doesn’t require complexity. It requires presence, intention, and trust.
By focusing on wrapping and drumming, the two elements that are most accessible, most intuitive, and most transformative, I’m honouring what I’ve learned from over a decade of practice and countless moments of discovery.
This feels like coming home to what the work has been trying to tell me all along: we already know how to heal each other. We just need to remember, to slow down, and to trust our hands and our rhythm.
The wrapping holds us. The drumming carries us. Together, they help us return to ourselves.
My word for the year 2025 was power, and it didnāt quite work out how I thought it would! When I look back at 2025 I see a year of two halves.The first half of the year I experienced a lack of direction and a lot of shedding, the second half was fast and full of fast action, power and direction.
During the first half of 2025, I felt lost, directionless, it felt like the extreme culmination of a sense of the void that started 3 years ago when I left doula work behind. I had no idea where I was going professionally, and struggled at deciding what to call myself. When people asked what I do, I would often say āI used to work as a scientist, then as a doulaā¦.ā and I didnāt know what to say I was doing now, giving some wafty description of supporting women through transitions. With my ADHD mind always focusing on what Iām not doing, I forgot that I was completing the work of birthing my second book into the world. All I could think about was that I didnāt know what I was meant to be doing. For someone who normally has had a clear sense of direction for most of my life, this felt extremely uncomfortable.
At the end of 2024, I had tried to launch a new program that fell flat on its face (you can read about this in my review of 2024), so instead, I decided to try a few small workshops to test what would land for me and my audience. I ran a number of new online workshops which were well received. I also ran the first of 2 month long drum microdosing circles online. This was actually amazing because over the course of 4 weeks, my students saw a 50 to 80% improvement in their wellbeing intention, which was way beyond what I had imagined it would do. It also meant that I felt a sense of direction during this time. In human design, Iām a generator, and Iām meant to respond, rather than initiate, and this felt really good. As I held the space for the women drumming during that month, I also felt held myself.
By June, the sense of being directionless reached its peak. I literally felt like I was being stripped of all everything, erased like a blank slate. I could see what was happening but it felt very challenging, and I struggled to trust what was to come. It was made more difficult by the fact that during these two months, my income dropped spectacularly, below anything it had ever done. I noticed that part of me was still equating my worth to my income. Iām so grateful for my husbandās support because when I shared my fears with him, he reassured me that, even if I earned nothing, we would still get by (Iām so grateful that my husband has a steady job and I canāt imagine how stressful it would have been if Iād been a single mum in this scenario).
Whilst this was happening, I was also busy building foundations for new things: not only the launch of my book, but the launch of a new website, so there was a lot of important behind the scenes stuff happening (many of which meant that I had to pause doing other things like my podcast, and my blog writing also slowed down this year to about half of what it was). But it felt like I had nothing to show for it yet. My book, The beat of your own drum, prelaunched in June and as well as all the other launch tasks, I also needed to make sure I had created the three preorder freebies before I went on holiday in August. I felt a lot of time pressure.
When I look back (hindsight is such a wonderful thing isnāt it?), I can see so clearly that the decks were being cleared to make room for new things. One thing that illustrates this beautifully, was in July, when I had a photoshoot with my wonderful photographer friend Ali Dover. Ali has been taking the pictures for all 3 major iterations of my website through the years. First in 2013, when my first website was about doulaing, antenatal education, and babywearing instructor work. Then the second iteration in 2018, when the focus was still very much doula work, and the ritual, spiritual and drum side was starting to show more (but, and I think it shows in the picture below, when I still had some level of impostor syndrome as I didn’t feel I could quite call myself a drum woman yet). Then there is the 2025 picture of me holding my drum in the air, where the wildness is clear and the drum feels like itās part of my body.
Evolution of work persona from babywearing to doula to wild woman. Can you see the wildness growth?
In June, on my way back from a small local festival, I listened to Lucy Pearceās podcast episode where she interviewed author Coco Oya Cienna-Rey about her new book, Digging for motherās bones. Cocoās book process was about 3 months ahead of mine, hers just having been published when mine was in preorder. In the podcast episode, she explained that, now she had birthed her book, she was going to take the summer off. I remember thinking: I need to do this too, except in my case itās more of a āI need to rest before birthingā situation. This is something I wrote about in my previous book, Why postnatal recovery matters, and I wrote a blog post called Entering the Sacred Pause, about the wisdom of resting before birthing my book. You can listen to Lucyās podcast episode with me about my book in her podcast too.
The energy moves
From August onwards, for no clear reason on my part that I could see (except that Iād done a lot of healing work, more about this in the section on self growth), things started to move a-pace. Knowing that I was going to go on holiday for nearly 3 weeks in August, I decided to run a free workshop on closing the bones for life transitions, where I also promoted my existing online courses and upcoming in person closing the bones training. Not only did 115 women register for the workshop, but, despite being on holidays for most of the month, I earned more money that month than any other months during 2025 (a first for August which is usually very quiet).
From then on, with the launch of the book in September, running events around it, sharing the conversations Iād recorded about women making noise, I surfed on a wave of new, and things felt like they finally moved, fast. In October, I decided to run a second month long drum microdosing course called Drumming as Medicine. 23 women joined me. The transformation was remarkable: participants’ confidence in their practice jumped from 2-4 out of 10 to 8-9. Women who couldn’t pick up their drums at the start were playing daily by week four. The combination of neuroscience, drumming practice, and community created something powerful. Every participant said they would recommend it enthusiastically. This validated what I know: when women are given permission to drum, a simple structure, and witness from other women, something transformative happens.
After the course ended, the message was unanimous: we want more. Women said they wanted longer sessions, ongoing circles, continued connection. Many ticked “year-long collective” when asked about future offerings. Four weeks had given them permission and structure, but that was just the beginning. Real transformation, real mastery, real drum keeping – that takes time. Time to explore different ways of working with the drum, to work with seasonal energies, to tend the practice through resistance and return, to move from student to keeper of the beat.
So I created a new program called the Women Drum Keepers Collective. It was what they were already asking for : a year-long journey of becoming women who remember the power of the drum. The Women Drum Keepers Collective is an 11-month journey beginning in February 2026, guiding women from tentative beginners to confident drum keepers through fortnightly live calls. Moving through the wheel of the year from Imbolc to Winter Solstice, the collective explores drumming as medicine through four seasonal phases: Foundations (winter into spring), Expression (spring into summer), Harvest & Release (summer into autumn), and Integration (autumn into winter). Each fortnight alternates between teaching sessions (with technique, neuroscience, and guided drumming) and integration calls (with sharing circles and depth work). This bridges structured curriculum with fortnightly accountability, evidence-based nervous system science with ceremonial practice, progressive skill-building with seasonal wisdom, and women’s empowerment with reclamation. It’s designed for women who refuse to choose between their analytical mind and ancestral knowing, who want a practice that deepens over time, and who are ready to move to embodying medicine.
In November, I also led the biggest ever in person workshop of my life: I volunteered to run a closing the bones wrapping and drumming workshop at the women drumming convention in Colchester, and I wanted to limit it to 30 women, but Mel asked me if I to take half of the women coming to the convention whilst as the other half were doing another workshop. Feeling a big worried about holding space for so many with a ritual that I know can lead to deep emotional release, I roped in my friend Malwina to co-host with me. In the end we had 55 women in the workshop and I shouldnāt have worried, because not only did it go extremely well, felt deep and beautiful, and we even had time to show all the women to wrap their hips and finished singing the ālet it goā song whilst swaying in a circle, but over the rest of that day and the next Iāve lost count of how many women came to tell me that this was life changing. Iāve decided to offer this workshop again on the afternoon of the 1st of February and also teach it on the week end of the 28th of February and 1st of March.
At the end of 2025, I ran an online workshop, attended by nearly 100 women, with two drum journeys to walk a time spiral to review 2025, and connect with your future self a year from now in 2026. What fascinated me was that people reported a lot of grief and loss and difficult feelings for 2025 whereas 2026 had a much lighter energy. The themes were processing loss and finding resilience in 2025 and moving towards grounded expansion in 2026.
2025 Journey
2025 emerged as a year of transformation through loss and shedding. Many participants experienced brutal challenges : grief, burnout, depression, and significant life changes that forced them to let go of old identities. Yet within this difficulty came some gifts: the courage to step into full authenticity, to no longer make themselves small for others’ comfort, and to move from head-centered living into heart-led wisdom. Resilience was a central theme, with participants discovering their own strength like diamonds formed under pressure. For some, the year brought rebirth, tender new beginnings, where entire life concepts were reimagined and life began feeling truly their own.
2026 Journey
The energy of 2026 called participants toward grounded expansion and joyful expression. The primary invitation was to grow deep roots, to feel held and trust without worrying about every detail. Freedom emerged as a strong theme: permission to move without fear or compromise, to move forward with one’s mission, and to express fully without holding back. Boundaries and self-care took center stage, with the understanding that personal fire needs careful tending to stay warm without burning out. Creativity and nourishment flows from within, with many called to write, create, and share their gifts. Joy itself becomes the key to manifesting the future, bringing clarity, peace, and spaciousness. The horse energy of 2026 promises heart-healing, movement, and momentum.
Aside from the discomfort and stripping of the first half of the year, I did some serious work on myself last year, and also went through some major milestones.
To support the discomfort and stripping, and lack of presence to challenges, I carried on working with the psychotherapist and shaman Iād been working with for 18 months. In May I had 4 sessions of extracellular matrix integration technique (a form of fascia release). In June I attended a weekend training called Radical Wholeness (after the book of the same name by Philipp Shepherd), and I found this truly transformative, and by the end of the weekend I could feel the movements in the nature around me in my body. In July I attended well over 10 different workshops, a few of which I found incredibly powerful (in particular, working with the energy of the blue lotus, Biodanza, a group family constellations workshop, and a 2h long Lituanian Sauna ceremony).
In the Autumn, as well as my weekly 5 rhythms dance session, I also started attending Biodanza classes every fortnight.
Since October Iāve been working with a functional medicine practitioner, as well as an acupuncturist to rebalance my hormones and energy.
In 2025 I also went to two funerals, and accompanied the last few weeks of a dying friend with some drumming and singing.
A big milestone in 2025 was that my son moved to university in September. I anticipated that I would feel bittersweet, leaving him there at his new uni lodgings, but I never expected how much grief I would feel. Given the date of his moving there was a weekday, I had to drive him alone instead of going with my husband. As I walked away from his new building, I was overtaken by deep sobs, the kind that make your throat close up. I walked to my car and I had to sit there for a while to recover. Over the next few days, I was overcome by grief several times a day every time something in the house or the daily routine reminded me that he wasnāt there.
And I also felt proud of my son, especially as he had struggled so much at college before we understood that he too was neurodivergent, and I never thought heād get where he now was at the time. But my, I never knew the grief would feel so strong, it felt like someone had died. You spend nearly 20 yearsraising a child, and itās good and healthy that they open their wings and leave the nest, but it also feels so very hard to lose them. At the time a friend reminded me that I was lucky that I had a life for myself outside of being a mother, and I knew this to the true, having met women who entire lives revolved around their children, and who did not know what to do with themselves when they left.
And luckily for me, I was busy with the launch of my book the week after he left for Uni, and that carried me forward and out of grief pretty fast.
Since then, heās been back home twice, and when heās left I never felt that level of grief again thankfully.
Interestingly, I was due to hit the menopause milestone (12 months without a period) at the end of September, having been in perimenopause since I was 42 (Iām now 55- thatās a loooong perimenopause), but I had a small bleed on the day I moved him to uni (howās that for symbolic?), so the clock is reset and I will not be officially menopaused until Iām 56.
All the things I did in 2025 work wise
I ran 5 free workshops online, attended by 436 women
I created and delivery 3 new trainings: 2 month long drum microdosing and drumming as medicine courses, and the collective, and my new wrapped in rhythm workshop
I delivered 5 in person workshops (Closing the bones and postnatal recovery massage, and wrapped in rhythm)
I ran 22 drum circles circles (a mix of in person and online) and 8 wheel of the year ceremonies, as well as attended weekly private drum circles with my drum sisters
I launched 3 books (the French translation of my book about postpartum recovery, The Beat of Your Own Drum, and 2 pieces in the Woman Craft Compendium about women circles.
I wrote 22 blog posts and 24 newsletters, and recorded 12 podcast episodes.
I published an article about postpartum recovery in the international journal of birth and parent education and wrote a massive blog post review all the scientific evidence behind rebozo techniques
And I submitted 3 pieces for the next Womancraft compendium about the too much woman (which means that Iāll be published in a 4th book this year)
And learning wise (CPD): I took part in a year long business mentoring group, I attended 2 drum conventions and one drum flash, a retreat, my first ever festival (Buddhafield), a radical wholeness workshop, and I took an insight timer course, an instagram course, and a money course.
and I kind of still feel that I havenāt done muchā¦.my ADHD brain always focuses on what I’m NOT doingā¦.but Iām working on that.
Word of the year
My word for 2025 was power. My word for 2026 is source. For me this means connecting with the source of power that connects us all, and to trust what the universe has in store for me. I have started expressing desires and letting it to the universe to make it happen for me, without controlling or knowing exactly how it will happen.
Why the Drum Reviews Your Year Better Than Bullet Points Do
It’s that time of year again.
You know the drill: grab your journal, make yourself a cup of tea, and write down your reflections on 2025.
What went well? What didn’t? What did you learn? What are you grateful for? What will you do differently in 2026?
And if you’re like most self-aware women, you’ll fill pages with thoughtful, articulate insights about your year.
You’ll make beautiful lists. You’ll identify patterns. You’ll set intentions for next year that sound really, really good.
Then you’ll close the journal, return to your life, and somehow… nothing actually shifts.
You’re trying to access body-held wisdom through the thinking mind.
And your thinking mind is the last place that knows what this year was really about.
Your Nervous System Has Been Keeping The Score
While you were managing 2025, your body was tracking everything:
Every transition that rattled your sense of identity
Every loss you tried to process while still showing up for everyone
Every moment of overwhelm you pushed through because you had to
Every boundary you crossed or failed to hold
Every time you felt joy and second-guessed it
Every rage you swallowed
Every grief you postponed
Your nervous system has a detailed record of this year. But it doesn’t speak in bullet points.
It speaks in:
Tension patterns in your shoulders and jaw
The way your breath shallows when you think about certain topics
The exhaustion that sleep doesn’t touch
The restlessness that has nowhere to go
The numbness that protects you from feeling too much
Journalling exercises asks your thinking mind to report on what your body experienced.
It’s like asking someone who watched a movie through a window to write the review. They saw some things. They missed the audio. They have theories. But they didn’t experience it.
Your body experienced 2025. Your mind just watched.
Why Cognitive Reflection Keeps You Safe (And Stuck)
The thinking mind is brilliant at many things:
Making sense of complexity
Identifying patterns
Planning and strategizing
Sounding articulate and insightful
But it’s also brilliant at:
Keeping you comfortable
Avoiding what’s actually true
Controlling the narrative
Protecting you from feelings you’re not ready to feel
When you sit down with your journal and ask “what did 2025 teach me?”, your thinking mind immediately curates the answer.
It gives you the lessons you’re READY to hear. The ones that make sense. The ones that don’t threaten your self-concept. The ones that feel manageable.
It won’t tell you:
The grief you’re still not acknowledging
The rage that’s calcified into resentment
The pattern you keep repeating because facing it would mean changing everything
The gift that’s sitting right in front of you that you can’t see because it doesn’t match your story
Your thinking mind loves you. It’s trying to keep you safe. But safety does not equal truth.
What Happens When You Bypass the Thinking Mind
This is where drumming becomes revolutionary.
When you drum, or when you listen to drumming, especially in a guided journey with intention, something neurologically fascinating happens:
Your brainwaves shift from beta (normal waking consciousness) to alpha and/or theta (meditative/trance state).
Alpha and theta are where:
The analytical mind quiets
The body’s wisdom becomes accessible
Symbols and images emerge instead of words
Truth that’s been stored somatically can surface
You access knowing that thinking can’t reach
It’s the same state you’re in during REM sleep, deep meditation, or moments of creative flow.
In this altered state, your body can finally TELL you what 2025 was about.
Not what you think it should have been about. Not the sanitized version. Not the narrative that makes sense.
The actual, embodied, messy, often surprising truth.
Why This Matters for How You Move Forward
The thing is about unacknowledged truth: It doesn’t go away just because you wrote a different story in your journal.
It stays in your body:
As tension
As exhaustion
As patterns you can’t quite break
As vague dissatisfaction with your life
As a sense that something’s missing but you can’t name what
And then you carry all of that into 2026.
You set beautiful intentions based on the curated story. You make plans based on what you THINK happened. You commit to changes that don’t address what’s actually asking to shift.
And then you wonder why nothing actually changes.
The body truth you bypassed? It’s still running the show.
The Neuroscience of Why This Works
Let me put on my PhD hat for a moment.
The thinking mind lives primarily in the prefrontal cortex : planning, analysing, narrating.
Body wisdom lives in:
The limbic system (emotions, memory)
The brain stem (survival responses, core regulation)
The vagus nerve (gut feelings, somatic knowing)
These systems don’t speak English.
They don’t respond to “tell me what you learned this year.”
But they DO respond to:
Rhythm (the drum)
Repetition (the steady beat)
Resonance (vibration in the body)
Trance states (alpha and theta brainwaves)
Symbolic language (images, metaphors, sensations)
When you drum with intention, you’re literally creating the neurological conditions for non-verbal knowing to surface.
You’re giving your body permission to speak in its own language.
Your body has been waiting to tell you things your mind wasn’t ready to hear.
This Isn’t About Drumming Being “Better” Than Journaling
Both have value. Both are powerful. Both have their place.
But they serve different purposes:
Journaling is phenomenal for:
Processing thoughts and making meaning
Tracking patterns over time
Articulating insights once you’ve HAD them
Planning and strategising
Integration work
Drumming is phenomenal for:
ACCESSING what needs to be known
Bypassing the defensive mind
Letting the body speak
Receiving insight rather than generating it
Dropping into truth that thinking obscures
The most powerful practice? Use both.
Drum to ACCESS the truth. Journal to INTEGRATE what came through.
Not the other way around.
How to Actually Do This
If you’re reading this thinking “okay, I want to try this, but I don’t know how” – start simple.
You don’t need to be a “drummer.” You don’t need a fancy drum. You don’t need to know what you’re doing.
Here’s a basic practice:
Set an intention: “Show me what 2025 was really about” or “What gift am I meant to receive from this year?”
Find a rhythm: Just a steady beat. Doesn’t have to be complex. Think heartbeat.
Drum for 5-10 minutes: Keep the rhythm going. Close your eyes. Let yourself drop in.
Notice what comes: Images, sensations, memories, emotions, knowing. Don’t judge it. Just notice.
Journal afterward: Not to make sense of it. Just to capture what came through.
That’s it.
The sophistication isn’t in the technique. It’s in the willingness to let your body speak.
Or Let Me Guide You
This is exactly why I’m offering a free drum journey workshop next week.
Not because I think you need another thing to do. But because I KNOW that bullet-point reflection isn’t touching what 2025 actually asked of you.
(and frankly because I find drumming a whole lot more appealing and fun than sitting down to write)
We’ll do two guided drum journeys together:
Journey 1: The Spiral – Walking back through 2025 with a guide who shows you what actually happened (not what you think happened). You’ll receive a gift or lesson.
Journey 2: Meeting Your Future Self – Traveling forward to December 2026 to meet the transformed version of you. She’ll show you what you need to know right now.
Between journeys: journaling, sharing, and space to actually FEEL what this year was about.
No drum required. Just curiosity and willingness.
Not because I’m promising magic. But because your body already knows what you need to know.
The drum just helps you hear it.
The Invitation
What if 2025 has a gift for you that you can’t see yet?
What if there’s wisdom in your body that your thinking mind keeps bypassing?
What if the reason you feel stuck isn’t because you haven’t reflected ENOUGH, but because you’ve been reflecting in the wrong language?
Your body knows.
Put down the journal. Pick up the drum. Let it speak.
Told us to be quiet, to speak when spoken to, to lower our voices, to stop making a fuss.
They took our drums and replaced them with clocks and beeping phones and metrics that measure everything except the beating of our hearts.
They took our drums because they knew: a woman with a drum cannot be tamed.
We used to drum to women into labour, our rhythms matching contractions, our beats saying you are not alone your body knows
We used to drum the dying home, steady beats that said it’s safe to let go we are here you are held.
We used to drum for the moon, for the harvest, for the grief that had no words, for the joy that was too big to fit inside our chests
The drum was our medicine. Our technology. Our prayer.
Then they took them.
Banned them first, when they wanted control. They called our drumming witchcraft. Burned the women who wouldn’t stop.
They removed rhythm from birth and replaced it with sterile rooms and beeping machines and women flat on their backs told to push on someone else’s schedule.
Made us forget that our hands once knew how to call forth the soul
And here’s what they knew that we forgot:
Drumming drops you out of your thinking mind into your body, into that place where you cannot be sold to or marketed at or convinced that you are not enough.
Drumming connects you to rage (call it hysteria, lock her up) intuition (call it irrational, dismiss her) power (call it threatening, silence her) boundaries (call it difficult, punish her).
Drumming makes you uncontrollable
And when women drum together?
When our hearts synchronise and our brains entrain and we remember bone-deep remember that we are not alone?
That’s when the systems shake.
Because isolated women compete. compare. comply.
But women in sync? Women whose heartbeats match? Women who remember what they are capable of when they move together?
Those women cannot be controlled.
So they told you: you’re not musical you can’t keep a beat you need training you need permission you need to be quieter smaller less.
They told you drumming is: New age nonsense Hippy bullshit Something only men do
They told you this because your drum is dangerous.
But here’s what I know:
Your hands remember.
Even if your mind forgot, even if you think you have no rhythm, even if you’ve never touched a drum
your hands remember.
Your grandmother’s hands. Your great-great-great-grandmother’s hands. The hands of every woman who came before you, drumming in the dark, drumming in the light, drumming the world into being.
So pick up your drum.
Pick it up and know that every beat says: I will not be silenced.
Every rhythm claims: I take up space.
Every pulse declares: I am here, I am connected, I am powerful, and I am done asking for permission.
They took our drums thinking they could keep us quiet.
But the drum lives in our blood, in our heart, in the pulse that moves through every woman who has ever lived.
They can take the drum from our hands.
But they cannot take the drum from our bones.
So drum, sister.
Drum like your grandmothers are listening
Drum like your grand-daughters are watching
Drum like the revolution depends on it
Drum until you remember who you were before they taught you to be small.
Drum until the ground shakes with the sound of women remembering.
Have you ever noticed how hard it is to think your way into calm? The more we try to stop the mind from spinning, the louder it seems to get. The drum offers a different path, one that bypasses the busy mind and leads you straight into stillness.
Every one of us carries within a deep well of wisdom, shaped by our unique histories, experiences, and bodies. While teachers and mentors can guide us towards possibilities we may not yet see, true transformation begins when we are supported in accessing our own inner knowing.
There are many doorways to this inner wisdom: journaling, creative expression, meditation, body awareness, mindful movement, being in nature. All of these practices share one thing : they bring us back to the present moment. They quiet the mindās noise so we can hear the whispers of intuition and connect to the bodyās intelligence.
Iāve explored many of these doorways myself : daily walks in nature, year-round wild swimming (even with water near freezing cold), 5Rhythms dancing, doodle journaling. Each of them opens something valuable. But none have taken me as deep as the drum. As a woman with ADHD, my brain usually has too many tabs open, and nothing calms my brain as fast as drumming does.
Drumming feels different. It asks for no words, no technique, no analysis ā only presence. With every beat, the mind stills and the body listens. The drum entrains brainwaves, gently shifting consciousness, much like breath or meditation ā but faster, more effortlessly. It grounds us through movement and vibration, making it easier to stay in the now.
Why does the drum reach us so deeply? Here are ten ways drumming slows your brain down and opens the door to inner peace and wisdom:
Brainwave Entrainment ā Repetitive rhythm synchronises brainwaves from gamma and beta into slower alpha and theta states, the frequencies linked to meditation and dreaming.
Automatic Presence ā The steady beat naturally anchors you in the now. You donāt have to force mindfulness; it happens.
Physical Grounding ā The vibration and movement of your hands on the drum connect you to your body, shifting focus from thinking to feeling.
Heartbeat Resonance ā The drum mirrors the rhythm of the heart, signalling safety and relaxation to the nervous system.
Stress Release ā Hitting the drum provides an outlet for built-up tension and emotion, literally shaking stress out of the body.
Non-Verbal Processing ā Sound and rhythm move what words canāt. Drumming lets emotions and insights flow without overthinking.
Right-Brain Activation ā The rhythmic, creative side of the brain awakens, bringing intuition, imagination, and new perspectives online.
Community Regulation ā When drumming with others, your nervous systems sync through rhythm, creating calm and connection.
Ancient Memory ā The drum speaks to something deep and timeless within us ā a wisdom older than language or logic.
Playfulness and Joy ā The simple act of play lightens the mind. Joy is one of the fastest ways to calm an overactive brain.
Drumming isnāt about performance or skill. Itās about rhythm as medicine ā a way to return to yourself, to peace, and to the wisdom that was always there.
Iād love to hear from you: Have you ever used drumming to calm your mind and access your own wisdom?
Share your experience in the comments, even a few words about how it felt, or what you noticed. Letās start a conversation about the many ways rhythm can guide us back to presence, peace, and insight.
“Imagine a practice that calms the nervous system, soothes body and mind, deepens connection and empowerment ā that’s drumming.” – Jane Hardwicke Collings
The Permission You’ve Been Waiting For
Since sharing my research on women and drumming and publishing The Beat of Your Own Drum, I’ve heard the same thing over and over from women everywhere – podcast hosts, conference attendees, random conversations in the street:
“I’ve tried drumming, but I’m not very good.”“I have a drum but don’t dare play it.”“I feel like an impostor.”“I don’t have enough rhythm.”“I’m too embarrassed.”“I don’t know where to start.”
If this sounds familiar, you’re not alone. I used to feel exactly the same way. Now, drumming is as natural to me as breathing, and I want to help you get there too.
Why You Think You’re “Not Good Enough”
The biggest block to starting a drumming practice isn’t lack of ability, it’s believing you need permission or training to make noise.
For most of human history, music-making, dancing, and singing were communal activities, integral to daily life. Nobody questioned whether they were “good enough” to participate. From African drum circles to Native American powwows, from European folk dances to Asian temple chants, music belonged to everyone.
The discomfort we experience today is recent – the result of a society that professionalised creative expression. We’ve moved from a culture of participation to one of performance and perfectionism, where fear of judgement overshadows the joy of creation.
And here’s the uncomfortable truth: for centuries, drumming belonged to women – until it was systematically stripped away along with our spiritual authority and leadership.
It’s time we took it back.
A Solution for Modern Overwhelm
Exhausted from overthinking everything? Seeking advice, reading books, trying to think your way to clarity while your mind spins endlessly?
Drumming bypasses mental chatter. Within minutes, the rhythm shifts your brainwaves, drops you into your body, and opens a channel to inner wisdom that words can’t reach.
It’s not about becoming “good at drumming.” It’s about remembering a language your body already speaks.
How to Start (It’s Simpler Than You Think)
There is no “right” way to drum. We aren’t talking about doing a performance here, but self expression with the drum. So play intuitively.
In fact, I invite you to prioritise playing intuitively as a way to learn to drum, over learning set rhythms, for 2 reasons: if you learn set rhythms first, it might prevent you from playing intuitively and it might also reinforce the idea that you “aren’t very good at drumming”. Learning to drum intuitively is about you learning to trust that you can express yourself through your drum, and let whatever wants to come happen. It takes a bit of time and experimentation, but it’s an easier route than following a set method.
All you need is a drum (a frame drum with a beater is easiest, but any drum works) and a willingness to play intuitively.
Commit to drum for just 5 minutes a day with intention, and you’ll see shifts within weeks. Last year I led groups of women twice through a 4-week “drum microdosing” practice, with just 5 minutes of intuitive drumming daily. Every participant reported 50-70% improvement in the wellbeing aspect they’d chosen to focus on.
My new book The Beat Of Your Own Drum, the history, science and contemporary use of drumming as a path for womenās wisdom, health, and transformation, is now available from Womancraft publishing.
I want to share with you why I wrote this book.
Ā
The beginning
My journey with the drum is deeply rooted in my doula journey. I was first introduced to shamanic drumming at a doula retreat in 2013. I was utterly sceptical about drumming, convinced that it wouldnāt work (I even thought it was bullshit), until I experienced a shamanic drum journey during the retreat. I had such vivid visions, and loved how the drum made me feel so much, that I instantly wanted one of my own. My mother gifted me an Irish Bodhran, and the rest is history. As I write this, I own close to 30 drums, and I have been running drum circles for 5 years, I have drummed during births and written an article about drumming and birth in a scientific journal, drummed at 2 midwifery conferences, delivered talks at drumming conventions, and of course Iāve written this book.
There is so much to share, and I cannot fit it all in one article, so Iāll be writing more in the runner up to the pre launch and over the summer until the book becomes physically available in September. Iām going to share a brief version of my story and also some of the wonderful effects that drumming provides for women going through transformation (such as, but not limited to), birth.
After I got my first drum, the most challenging aspect was overcoming impostor syndrome, something I see in almost all of the women who start their work with the drum. We live in such a patriarchal society, where we are unconsciously made to believe that there is a ārightā way to do something, and that we cannot do it unless we have been formally trained in it. This leads to not feeling good enough and not daring to drum. Add to this the systemic historical suppression of womenās expression (including drumming) and voices, itās not surprising that drumming does not feel safe for a lot of women.
Looking back Iām really glad I experienced this because it gives me a lot of empathy and understanding for the women who come to me to grow their drumming skills, and who experience the same. 12 years down the line, drumming feels as natural to me as breathing. You can read part of that story in more detail (up to 2020) in my article called Drum healing, bullshit?
It all started with birth
Drumming became a part of the work I did with women as a doula, first during postpartum closing the bones massage rituals , then during pregnancy rituals and healings, and finally during births. I started yearning to drum for women during labour and births, eventually doing so in 2019, and then getting hired specifically for this purpose. It came completely from within, as I could not find anything written about it at the time.
When I decided to start writing this book, in the summer of 2022, I first intended it to be about drumming and birth exclusively, and planned to submit the proposal to the same publisher as my first book, Why Postnatal Recovery Matters. I am very grateful to my friend Bridget Supple, who not only suggested I broaden the topic of the book, but also suggested that I attend a zoom meeting for prospective authors hosted by Lucy Pearce of Womancraft Publishing. Not only did I absolutely loved Womancraftās ethos, but I felt a deep resonance for Lucyās approach. I wrote 4 chapters in a month to meet the proposal deadline, and both this and Lucyās feedback confirmed that the book needed to be much broader than just birth.
Since I left doula work, Iāve started to see in a crystal clear way how the coercive behaviour we see in maternity care is just the reflection of a deeper, society wide issue.
Hereās an excerpt from the introduction chapter of the book.
āSince stepping away from doula work a couple of years ago, Iāve come to the stark realisation that not only is the current maternity care system beyond repair, but that the thread of disempowerment weaves through every stage of a womanās life. Its pervasive narrative that begins in infancy, winds its way through our experiences of parenting, education and careers. This insidious message ā that we are somehow ignorant of our own needs and should defer to those who āknow betterā ā isnāt confined to any one sphere. It permeates politics, the medical and education world and is woven into the very fabric
of our society. From the moment weāre born, weāre subtly (and sometimes not so subtly) taught to doubt our own instincts, to question our inner wisdom. Itās as if society has conspired to whisper in our ears, āYou donāt know whatās best for you.ā This message echoes in the halls of schools, reverberates in workplaces and finds its way into the most intimate moments of our lives.
The result? A deep-seated, often unconscious belief that our own knowledge ā especially when it comes to our bodies, our choices, our lives ā is somehow inferior to the āexpertsā. This belief chips away at our autonomy, erodes our confidence in our own experiences and intuition. And itās a belief that Iāve come to recognise as not just false, but deeply harmful to the wellbeing and empowerment of women everywhere.ā
The heart of why the bookās message is: the drum provides us with a path back to our innate ways of knowing.
āDrumming, because of its ability to modify our state of consciousness, can help us get out of a rational, masculine-centric way of thinking and re-learn how to access a more intuitive, more feminine way of knowing. Drumming can provide an antidote, not only to the ever-increasing speed and business of our world, but also to the systematic destruction of womenās power and autonomy.
What we need most at this moment in time, to heal ourselves and to heal the earth, is to support women to stand in their true power. The power that resides within us, in our ability to trust ourselves and know whatās right for us, rather than abdicating knowledge and power over to the system. What we need is to support a feminine way of accessing knowledgeā¦ Drumming offers a way back in through the layers of parenting, education and societal conditioning that have eroded our self-knowing. Reclaiming this knowing is critically needed in a culture that conditions women from childhood to seek truth outside rather than within.
āAs we drum, we donāt just think differently ā we experience the world differently. This altered state of being opens doorways to new perspectives, allowing us to imagine and embody alternatives to the limiting narratives that have been unconsciously programmed into us. In essence, drumming doesnāt just challenge the system ā it transports us beyond it, offering an experience of what true autonomy and connection feel like.ā Sophie Messager
Here are the chapters of the book
Foreword
Introduction: The First Beat
1 ā Rhythms of Awakening: My journey with the drum
2 ā Echoes Through Time: A short history of women and drumming
3 ā Vibrations of Wellbeing: The science of drumming and physical health
4 ā Percussion and the Psyche: Drummingās resonance in brain, nerves and healing
5 ā Diverse Frequencies: How drumming supports people who are neurodivergent
6 ā Beating the āShroom: Drumming as an alternative to psychedelics
7 ā Sacred Circles: Drumming, rituals and ceremonies
8 ā The Rhythm of New Life: Drumming to support the birth journey
9 ā Tuning into Your Instrument: Finding a drum
10 ā Rhythmic Practices: Ways to work with the drum and drumming
Conclusion: Echoes into the Future
Appendix
I had the drum below made to carry the energy of the book, and women back to the drum.
I’d love to hear from you: What resonates with you about this message? Have you ever felt that disconnect from your own inner knowing? Or perhaps you’ve found your own path back to trusting yourself ā whether through drumming or something else entirely?
Write a comment below and share your thoughts with me. Your stories and reflections help shape this work, and I read every response personally.
Throughout history, women who made themselves heard, whether through drumming, speaking out, or simply taking up space with their voices, have faced silencing, ridicule, and even persecution. From ancient prohibitions against women using drums in various cultures to the labelling of vocal women as hysterical, to the recent banning of women singing by the Taliban, women have been systematically discouraged from creating sound and expressing power through noise.
Despite these restrictions, women have continued to find ways to make themselves heard.
The conversation series
Iām delighted to share nine powerful conversations with extraordinary change-making women who have experienced this tension between silencing and expression.
Our conversations explore how women can reclaim their voices and power through drumming, sound and through overcoming societal conditioning that has taught us to suppress our natural expression.
These intimate dialogues explore the questions that have been on my mind throughout the writing of my book:
How have you experienced the freedom or restriction to make yourself heard?
What relationship do you have with creating sound, whether through voice, music, drumming, or other means?
How has cultural conditioning around āappropriateā feminine behaviour affected your expression?
What has helped you reclaim your right to make noise and be heard?
The voices in this series
Iāve had the honour of speaking with nine change making and pattern disrupting women whose work and lives embody the spirit of making noise and claiming space:
Jane Hardwicke CollingsĀ
Rachael Crow
Lucy PearceĀ
Melonie Syrett
Kate CodringtonĀ
Liz Childs Kelly
Joyce Harper
Carly Mountain
Coco Oya Cienna-Rey
Ready to join the rebellion?
Starting September 19th, I’m releasing these conversations as a daily email series. Nine days of raw truth about what it means to make noise in a world that wants us quiet.
This isn’t just about drumming. It’s about reclaiming the power that’s been stolen from us, one voice at a time.
Click here to sign up and prepare to be inspired to make some beautiful, rebellious noise.
